These notes and sound cues were prepared by DJ Gregio.
They were discussed over a number of sessions, with suggestions from Julia, myself, from the offerings of the cast, from the script and from the DJ himself.
DJ Greegio also attended rehearsals from mid-September and contributed from the outset to the warm-up. Finally, the soundscore continued to develop during the two weeks of intense work leading up to opening night.
He also had a separate playlist of relevant contemporary music –– inspired by Mozart –– for before the opening and half-time slots.